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Dr. B Music Theory (Voice leading 7th chords) and Live Q&A
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Dr. B Music Theory - Dr. B Music Theory (Voice leading 7th chords) and Live Q&A

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

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6 learners

What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

  • 75.5 hours of video
  • Certificate of completion
  • Access on mobile and TV

Summary

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Full Transcript

0:00 - QUESTION #1: Ed Buller , "In your lessons 37, 38, 39,...you discuss secondary leading tone chords. In the last lesson you created a lovely chord progression using all sorts of twists and turns. My question. When linking chords can any two 4 tone chords that share two common tones be linked successfully?" 30:57 - QUESTION #2: Jason LaRay Keener, "When sitting down to write a new piece, how do composers decide what key to write in? What goes into the decision making?" 39:51 - QUESTION #3: Aakash Chakrabarty, "​What was your study for your PHD?" 42:46 - QUESTION #4: mobius drummer, "Hi Dr. B thanks a lot for doing this, just want your thoughts on interval ear training? Is it really that useful when your not hearing the relation of them notes in the context of a key?" 47:59 - QUESTION #5: Joel Chung, "Ppl describe chords differently, says for e.g a major triad (major 3rd+perfect 5th) but then if you compare the 3rd degree to the other notes you have another min 3rd. How do we know which interval should be our focus for thinking about our harmonic rules?" 52:35 - QUESTION #6: Danny Pippin, "​Can you talk about non diatonic substitutions?" 59:21 - QUESTION #7: mobius drummer, "Can you talk a bit about Coltrane changes and why they work? Moving in Major 3rd's?" 1:11:15 - QUESTION #8: ShoesMagoo, "Why 7 notes per scale/mode in 12tet? Why are those patterns considered to be base?" 1:20:12 - QUESTION #9: Alexander, "When chromatic notes were first used what were the musicians thinking and how was it justified at the time? I understand diatonic, but chromatic seems like it breaks fundamental ideas of tonality." 1:26:28 - QUESTION #10: Joel Chung, "​Dr, I have a question on good theory books that you would reccomend for the Diploma/Undergrad music students. I'm looking to read more on harmony specifically for songwriting." 1:29:07 - QUESTION #11: Metal Head19, "Hello Dr, can you explain how to make a smooth voice leading between I and ii/II chord ? I mean all notes will be different so how can we make those changes sound more pleasent ? Thank you" 1:37:43 - QUESTION #12: ABDULAZIZ SHABKOUH, "what do you think of people who say music theories are nonsense ?" Live Q&A times and dates posted in advance here: https://www.patreon.com/DrBMusicTheory PATREON supporters may submit questions in advance! http://www.christopherbrellochs.com https://www.facebook.com/christopherbrellochs/

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