Dr. B Music Theory - Dr. B Music Theory Lesson 19 (2nd Inversion Triads)

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

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What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

75.5 hours of video
Certificate of completion
Access on mobile and TV

Summary

Keywords

Brellochs Music Theory Learn Music Triads 2nd inversion second inversion passing 6/4 passing six four six four 6/4 cadential neighbor

Full Transcript

TOPICS CAUTION: I make a mistake on the "Cadential" example (see below) CORRECTION: In the example on the bottom right, in measure 1 & 5 the tenor voice should be doubling the bass (both on "E"). Thank Michael Spiros Brazda for pointing that out! 0:00 - Passing 6/4 3:03 - Neighbor (Pedal) 6/4 5:45 - doubling review 7:15 - Cadential 6/4 9:13 - SHAME ON ME: I mistakenly write parallel 5ths between the tenor and alto on the cadential example, measure 1 beat 1 to 2. Thanks to "Groover McToober" for catching the mistake! 10:09 - Analysis of example with 6/4 chord and non-chord tones (NCTs) 13:02 - CORRECTION: beat 3 is a i6/5 chord since it is a 7th chord in 1st inversion

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