Dr. B Music Theory - Dr. B Music Theory Lesson 43 (Form)
Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course
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6 learners
What you'll learn
Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.
TOPICS:
0:00 - What is form and why is it important?
3:22 - Terms = sectional vs. continuous, two-reprise
4:43 - Binary (AB)
8:08 - Ternary (ABA)
8:45 - Sonata form
17:32 - EXAMPLE: Mozart, Sonata in C Major, K.309, 1st movement
24:09 - Second movement of Sonata, String Quartet, Symphony, Concerto
24:57 - Minuet & Trio
28:44 - EXAMPLE: Haydn, String Quartet in C, Op.76, No.3, 3rd movement
34:14 - Rondo
39:20 - EXAMPLE: Beethoven, Piano Sonata, Op.79, 3rd movement
NOTE: 7-part rondo is a category that includes sonata-rondo as the most common type; it can also be ABACADA. In other words, all sonata-rondos are 7-part rondos; not all 7-part rondos and sonata rondos.
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