Course Hive
Search

Welcome

Sign in or create your account

Continue with Google
or
Dr. B Music Theory Lesson 42 (How to Harmonize with a Modulation)
Play lesson

Dr. B Music Theory - Dr. B Music Theory Lesson 42 (How to Harmonize with a Modulation)

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

5.0 (0)
6 learners

What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

  • 75.5 hours of video
  • Certificate of completion
  • Access on mobile and TV

Summary

Keywords

Full Transcript

TOPICS: 0:00 - EXAMPLE 1: How to harmonize from a given soprano and bass part 9:22 - Adding an alto part to create 3 voice texture 14:18 - A little chat on the philosophy of music (esthetics) 15:12 - Listen to the example played on piano 16:05 - EXAMPLE 2: How to harmonize from a given soprano and bass part 25:36 - Adding an alto and tenor part to create 4 voice texture 27:00 - DISCLAIMER: I have two mistakes starting here: first by doubling the G in the bass & tenor and then going to an octave D in the bass & tenor I get a unison to octave by contrary motion, then I have parallel octaves between the bass & tenor when I modulate back to Bb (octaves on D to octave on Bb). Both of these issues can be solved by making the V a V7 chord and putting C in the tenor. ***WARNING: Cliffhanger ending, aka the battery died before I finished part writing!

Course Hive

Continue this lesson in the app

Install CourseHive on Android or iOS to keep learning while you move.

Related Courses

FAQs

Course Hive
Download CourseHive
Keep learning anywhere