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Dr. B Music Theory Lesson 34 (Diatonic 7th Chord Examples)
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Dr. B Music Theory - Dr. B Music Theory Lesson 34 (Diatonic 7th Chord Examples)

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

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6 learners

What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

  • 75.5 hours of video
  • Certificate of completion
  • Access on mobile and TV

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CORRECTIONS: 22:15 - I write parallel 5ths between the tenor and alto, beats 2 to 3, which is NOT acceptable! 25:53 - I write parallel 5ths between the soprano and bass, beats 2 to 3, which is NOT acceptable! I didn't see this so thank you to subscribers for commenting when you catch a mistake!! 37:50 - I misspell viio (I meant to put an "E" in the tenor; I catch it later) 44:47 - I write parallel octaves between the soprano and tenor, beat 3 to beat 1, which is NOT acceptable! Thanks Ryan Hulme for catching this one - you are a gentleman and a scholar. TOPICS: 0:00 - Spelling 7th Chords 2:55 - Alto clef review 9:12 - Analyzing 7th Chords with Roman numerals 17:07 - Harmonic progression & voice leading 25:53 - I write parallel 5ths between the soprano and bass, beats 2 to 3, which is NOT acceptable! 37:50 - CORRECTION: I misspell viio (I meant to put an "E" in the tenor; I catch it later)

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