Dr. B Music Theory - Dr. B Music Theory Lesson 12 (Voice Leading 102)

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

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What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

75.5 hours of video
Certificate of completion
Access on mobile and TV

Summary

Keywords

Brellochs Music Theory Voice Leading Similar motion Oblique motion contrary motion parallel motion parallel fifths parallel 5ths parallel octaves parallel 8ves direct fifths

Full Transcript

TOPICS 0:00 - Motion (static, oblique, similar, contrary, parallel) 4:59 - Parallel unison, 5ths, 8ves 9:38 - Contrary 5ths, 8ves 13:19 - Direct/hidden 5ths, 8ves 18:28 - Unequal 5ths (d5 - P5) 23:06 - Analyze/identify voice leading errors 27:00 - CORRECTION: Thanks to subscriber "Mr Loud" for finding another voice leading error; in the example in measure 1, beat 1 to 2 the tenor goes below where the bass was previously which is an "overlapping" mistake (the tenor note "A" on beat 2 is below the bass note "Bb" on beat 1). QUESTION on Lesson 12 from Andrew FM: "Any tips on when to bring in and out different voices based on the time in the composition? Should all 4 voices come in at once and stay present, etc." https://youtu.be/Ok6yaOozzIA

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