Dr. B Music Theory - Dr. B Music Theory Lesson 44 (Mode Mixture)
Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course
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6 learners
What you'll learn
Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.
TOPICS:
0:00 - Mode mixture and borrowed chords
5:00 - EXAMPLE: Traditional progression and mode mixture
8:15 - Frequency of various types of mode mixture - most frequent (#1) = iio, iv, viio7
9:49 - Second most frequent type of mode mixture (#2) = i, iv7, bVI
13:24 - Third most frequent type of mode mixture (#3) =bIII, bVII
17:42 - EXAMPLES: mode mixture options played at the piano
21:05 - Picardy third
22:00 - The objectively provable reason why major is more resolved than minor (we are talking acoustics, psychology, and philosophy)
27:11 - Mode mixture vs parallel minor and why isn't the parallel minor considered a modulation
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