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Ask Dr.  B About Music Theory, Episode 12 (Secondary Deceptive Resolutions)
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Dr. B Music Theory - Ask Dr. B About Music Theory, Episode 12 (Secondary Deceptive Resolutions)

Master Music Theory from Scales to Advanced Harmony with Dr. B's Comprehensive Course

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What you'll learn

Construct and analyze diatonic chord progressions using Roman numerals.
Apply voice leading principles to write and resolve four-part harmony.
Identify and use non-chord tones and secondary dominant chords in analysis.
Recognize and realize augmented sixth chords and Neapolitan chords in context.

This course includes

  • 75.5 hours of video
  • Certificate of completion
  • Access on mobile and TV

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Full Transcript

TOPICS 0:00 - Lesson 38 (Advanced Secondary Functions) QUESTION: "Does the whole secondary deceptive cadence (ending on VI/vi) have the same function as a normal vi chord in the main key? The vi has a tonic like function, so that would make sense! How far can it go, could any chord be replaced with a secondary deceptive cadence in its key?" 5:15 - V7/IV, V7/V, V7/vi resolving normally and deceptively 7:50 - CORRECTION: Thanks to my awesome subscribers who watch intently! Zak M found this one: I mean V7 going to vi in the key of IV (NOT ii). 11:55 - Secondary functions that don't easily resolve deceptively 20:15 - "How do you tell what sounds good?" 21:49 - Progression 1 with V7/IV 24:30 - Progression 2 with V7/V 28:00 - Progression 3 with V7/vi https://www.youtube.com/user/cbrellochs/ http://www.christopherbrellochs.com https://www.facebook.com/christopherbrellochs/

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