Summary
Keywords
Full Transcript
How are the voice parts written in a score of a piece for Choir and accompaniment? Using an example by Rossini this music theory lesson shows you why it’s necessary to write the vocal parts in open score and how it deals with word setting issues, overlapping parts and polyphonic writing. ⬇️Download the files https://drive.google.com/file/d/1xiCJBCxdV3FLQpK6tUyehV-Ax7hWkibu/view?usp=sharing 🔴 Subscribe for more videos just like this: http://www.youtube.com/channel/UC8yI8P7Zi3yYTsypera-IQg?sub_confirmation=1 🎵 Become a Music Matters Maestro: https://www.youtube.com/channel/UC8yI8P7Zi3yYTsypera-IQg/join 👕 Merch store: https://www.youtube.com/channel/UC8yI8P7Zi3yYTsypera-IQg/store 🕘 Timestamps 0:00 - Introduction to choral music notation 0:40 - Example of choral notation 2:42 - Why not use short score? 4:48 - When to use open score 🎓 Learn Music Online with Music Matters Learn music theory, aural tests, composition, sight reading, orchestration and more! Prepare and practice for music exams and diplomas with Music Matters Courses. Whether you're just getting started with learning music, or you're an experienced musician looking to expand your abilities - we have something for you in our course library. With hours of step-by-step training, our courses will truly help you elevate your musicianship skills to the next level. http://www.mmcourses.co.uk 👥 Social Media Website: http://www.mmcourses.co.uk Facebook: https://www.facebook.com/MusicMattersGB Twitter: https://twitter.com/MusicMattersGB Instagram: https://www.instagram.com/MusicMattersGB Newsletter: http://eepurl.com/dvgdUD 🔗 Affiliate Links Amazon: https://geni.us/71PKSR #MusicTheory #LearnMusic #TheAllRoundMusician
